Penelope Spheeris returns to the punk scene she first documented in 1981 and finds new bands equally as inflammatory as their predecessors. The powerful final chapter in Spheeris’s Decline of Western ...

One of Welles’s most sheerly entertaining efforts, Touch of Evil is a sordid noir of gray morality and striking black-and-white images, photographed by Douglas Sirk regular Russell Metty, set to the ...