Ring Down the Curtain - The Critic by Anand Tucker (dir) ...

Describing his reaction to the testing of the atomic bomb in New Mexico on 16 July 1945, Robert Oppenheimer recalled: We knew the world would not be the same. A few people laughed, a few people cried.

In 1962, Martin Heidegger went on a cruise to the Aegean. Going to Greece had not been an easy decision. Seven years earlier he had got so far as to buy train and boat tickets; when the enormity of ...

When Pietro Russell, the anti-hero of A Fool’s Alphabet, thinks of an afterlife, he imagines ‘a hell that is entirely composed of hotel bathrooms’. There will be the bars of soap, too tightly packed ...

The London art market has changed drastically in the last few decades. Regency-style dealerships have been replaced by white-box-style galleries. Only contemporary pieces turn a profit.

The London art market has changed drastically in the last few decades. Regency-style dealerships have been replaced by white-box-style galleries. Only contemporary pieces turn a profit.

There is something magnificent about the ambition of Iain McGilchrist’s book. It offers nothing less than an account of human nature and Western civilisation as outcomes of the competition between the ...

On an autumn day in 1680, the 50-year-old Charles II charged Samuel Pepys with an unusual task. Over two three-hour sittings, one on a Sunday evening, the next the following Tuesday morning, the king ...

Once upon a time, an ambitious ruler concerned about a rising power on the other side of the globe decided to place a puppet king on a nearby throne in a country that was beautiful, rich in natural ...

The London art market has changed drastically in the last few decades. Regency-style dealerships have been replaced by white-box-style galleries. Only contemporary pieces turn a profit.

Nicholas Shakespeare’s first novel since 2010 is a literary thriller set in a damp, wintry Oxford. The book’s protagonist will be familiar to Shakespeare’s regular readers: John Dyer appeared in his ...

The London art market has changed drastically in the last few decades. Regency-style dealerships have been replaced by white-box-style galleries. Only contemporary pieces turn a profit.