CHICAGO—The Art Institute of Chicago is pleased to share a selection of our most exciting acquisitions of 2024. This year, the museum added more than 1,000 new works to its permanent collection, ...

“For me, painting the crosses was a way of painting the country,” recalled Georgia O’Keeffe about the series of compositions featuring Catholic crosses that she created upon visiting the Southwest in ...

Permeated by anguished visions of humanity, Francis Bacon’s paintings embody the existential ethos of the postwar era. In his powerful, nihilistic works, tormented and deformed figures become players ...

The Art Institute offers almost a million square feet to explore. Use the museum floor plan to help navigate a course for your visit. Planning your visit? Download our Visitor Guide (in English or ...

Jean Louis André Théodore Géricault Portrait of a Man, 1818/19 Jean Louis André Théodore Géricault Sketches of Postillions and a Stagecoach, 1818/19 Jean Louis André Théodore Géricault A Stagecoach ...

The unidentified man in this over-life-size headless portrait statue is dressed in full military regalia. His torso is covered with a body armor called a cuirass, the front side of which is adorned ...

The front (obverse) of this coin depicts the head of the goddess Roma, wearing a winged helmet and facing to the right. On the back (reverse), the god Jupiter rides in a four-horse chariot called a ...

Portraits of important people appear on local currency all around the world. The same was true in ancient Rome, which began producing its first coinage in the late 4th century BCE. Early coins ...

The front (obverse) of this coin depicts the forepart of a lion, leaping right with head turned back and mouth open. The back (reverse) shows a 4 part square, with alternate quarters incused. In one, ...

The front (obverse) of this coin depicts the goddess Athena, facing right. On the back (reverse) is an owl, a symbol of Athena, perching on an olive branch.

The front of this coin depicts the head of the goddess Juno, facing right. On the back, a bull charges to the right.

Pompeo Batoni’s grand portraits and numerous religious and historical commissions established him as the leading Roman painter of his day. He painted Peace and War on his own initiative, without a ...